[KineJapan] Oshima book

[Roger Macy]

Thanks, Fred, for that.
If I search on Amazon.com, I get the one, but it doesn't appear on Amazon.co.uk or Amazon.co.jp.  But one 'invisible hand' is all we need.
By the way, the other San Sebastian book, this year, Animatopia, mentions some Japanese films, but I wouldn't put it in the same league as the Oshima book.
Happy Christmas,
Roger

From: Frederick Veith <notreconciled at gmail.com>
>To: Roger Macy <macyroger at yahoo.co.uk>; Japanese Cinema Discussion Forum <kinejapan at lists.service.ohio-state.edu> 
>Sent: Wednesday, 25 December 2013, 0:55
>Subject: [KineJapan] Oshima book
>
>Roger, 
>
>
>There are several marketplace sellers offering this on US Amazon for around $35, plus $3.99 shipping (to the US). They seem to be shipping from Spain or the UK, so they may be cross-listing on other Amazon sites as well. 
>
>
>Fred. 
>On Tuesday, December 24, 2013, Roger Macy wrote: 
>Dear KineJapaners,
>>I see that the bilingual book on Oshima, published in connection with the retrospective at San Sebastian, and edited by Quim Casas and Ana Cristina Iriarte, is now available from their online store.
>>http://tienda.sansebastianfestival.com/
>>However,although the book, bilingual and well illustrated, is only 25 euros, it turns out that delivery charges range from 6 euros within Spain, to 75 euros outside of Europe.  If I had known that I would have taken a large case of them back on a train.  Their publications office is closed for the holidays, but if I hear anything practical, I'll let interested people know.
>>
>>Below are my notes on the content made nearer the time of the festival, in case it helps anyone.  The filmography is inclusive of a wide range of media.
>>Roger
>> 
>>Nagisa Oshima
>>Edición bilingüe castellano / inglés
>>CASAS, Quim
>>IRIARTE, Ana Cristina, coordinators
>>Donostia Zinemaldia - Festival de San Sebastián, 2013
>>Preface KOYAMA Akiko p13 Viewing Ōshima through their marriage. 
>>Nagisa Oshima THOMAS, Jeremy 17 Viewing Ōshima as one of his producers. 
>>Rebelliousness as a lifestyle SANTAMARINA, Antonio 23 A survey of a transgressive career by the director of Doré Cinema (Spanish Film Archive) 
>>Killing the father, Nagisa Oshima and tradition in Japanese cinema SÁNCHEZ, Sergi 43 A parallel survey to the above by the Barcelona professor and film critic. Focus on Nihon no yoru to kiri and Gishiki. 
>>Oshima’s 1960 DESSER, David 53 A lucid take on how Ōshima crafted his films of this period (Desser doesn’t use the word ‘craft’) 
>>First, the revolution KOVACSICS, Violeta 67 Places Ōshima in a wide range of western film-referenced writing, in relation to the body, and spaces; also mentioning Wakamatsu. 
>>The phase of the Shochiku Ofuna studios SATŌ Tadao
>>as SATO, Tadao 77 Another biographical survey but of a limited period.  Has translator’s notes, presumably of the uncredited Daniel Aguilar.  Makes the specific claim that Nihon no yoru to kiri was made to influence an election in the post-Anpo period. 
>>The collective movement called Nagisa Oshima GO Hirasawa 85 Starts” I doubt if anyone will challenge me if I say that Nagisa Oshima is the most important Japanese filmmaker since the Second World War.” Banish your doubts 
>>Oshima’s Aesthetic Treatises on Eroticism and Violence TURIM, Maureen 101 Extensive essay on said subject focussing on Ai no korida, Ai no borei, Taiyo no hakaba, Muri shinku: Nihon no natsu, Etsuraku, Merry Christmas, Mr. Lawrence and Gishiki.  
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