[KineJapan] Oshima book

[Frederick Veith]

Roger,

There are several marketplace sellers offering this on US Amazon for around
$35, plus $3.99 shipping (to the US). They seem to be shipping from Spain
or the UK, so they may be cross-listing on other Amazon sites as well.

Fred.

On Tuesday, December 24, 2013, Roger Macy wrote:

> Dear KineJapaners,
> I see that the bilingual book on Oshima, published in connection with the
> retrospective at San Sebastian, and edited by Quim Casas and Ana Cristina
> Iriarte, is now available from their online store.
> http://tienda.sansebastianfestival.com/
> However,although the book, bilingual and well illustrated, is only 25
> euros, it turns out that delivery charges range from 6 euros within Spain,
> to 75 euros outside of Europe.  If I had known that I would have taken a
> large case of them back on a train.  Their publications office is closed
> for the holidays, but if I hear anything practical, I'll let interested
> people know.
>
> Below are my notes on the content made nearer the time of the festival, in
> case it helps anyone.  The filmography is inclusive of a wide range of
> media.
> Roger
>
>  Nagisa Oshima
> Edición bilingüe castellano / inglés
> CASAS, Quim
> IRIARTE, Ana Cristina, coordinators
> Donostia Zinemaldia - Festival de San Sebastián, 2013
>   Preface
>  KOYAMA Akiko
>  p13
>  Viewing Ōshima through their marriage.
>  Nagisa Oshima
>  THOMAS, Jeremy
>  17
>  Viewing Ōshima as one of his producers.
>  Rebelliousness as a lifestyle
>  SANTAMARINA, Antonio
>  23
>  A survey of a transgressive career by the director of Doré Cinema
> (Spanish Film Archive)
>   Killing the father, Nagisa Oshima and tradition in Japanese cinema
>  SÁNCHEZ, Sergi
>  43
>  A parallel survey to the above by the Barcelona professor and film
> critic. Focus on *Nihon no yoru to kiri* and *Gishiki*.
>   Oshima’s 1960
>  DESSER, David
>  53
>  A lucid take on how Ōshima crafted his films of this period (Desser doesn’t
> use the word ‘craft’)
>   First, the revolution
>  KOVACSICS, Violeta
>  67
>  Places Ōshima in a wide range of western film-referenced writing, in
> relation to the body, and spaces; also mentioning Wakamatsu.
>   The phase of the Shochiku Ofuna studios
>  SATŌ Tadao
> as SATO, Tadao
>  77
>  Another biographical survey but of a limited period.  Has translator’s
> notes, presumably of the uncredited Daniel Aguilar.  Makes the specific
> claim that *Nihon no yoru to kiri* was made to influence an election in
> the post-Anpo period.
>   The collective movement called Nagisa Oshima
>  GO Hirasawa
>  85
>  Starts” I doubt if anyone will challenge me if I say that Nagisa Oshimais the most important Japanese filmmaker since the Second World War.”
> Banish your doubts
>   Oshima’s Aesthetic Treatises on Eroticism and Violence
>  TURIM, Maureen
>  101
>  Extensive essay on said subject focussing on *Ai no korida*, *Ai no
> borei*, *Taiyo no hakaba*, *Muri shinku:* *Nihon no natsu*, *Etsuraku*, *Merry
> Christmas, Mr. Lawrence* and *Gishiki*.
>
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