[KineJapan] Importing Prints from Japan for Film Series

[Zahlten, Alexander]

Hi Will,

Thanks for sending this- it’s a terrific lineup! Congratulations on putting this together.

Are you planning any events (workshops / symposia /etc.) to accompany it? Hasumi’s influence (and, in some ways, surprising lack of influence) is a really interesting topic.

Best,
Alex

-------------------------------
Alexander Zahlten
Associate Professor
Department of East Asian Languages and Civilizations
Director of Graduate Studies – Regional Studies East Asia Program
Harvard University

From: KineJapan <kinejapan-bounces at mailman.yale.edu> on behalf of William Carroll <williamjamescarroll at gmail.com>
Reply-To: Japanese Cinema Discussion Forum <KineJapan at mailman.yale.edu>
Date: Wednesday, January 23, 2019 at 15:50
To: "KineJapan at mailman.yale.edu" <KineJapan at mailman.yale.edu>
Subject: [KineJapan] Importing Prints from Japan for Film Series

Hi everyone,

I'm just writing to let you know that I'm running a film series this spring at the University of Chicago. The series highlights filmmakers who were formerly students of Hasumi Shigehiko. We're planning to import a number of film prints, and I wanted to let everyone know. They aren't all confirmed yet, but here are some of the titles we're planning to import:

Okaeri (Shinozaki Makoto, 1996)
Wild Life (Aoyama Shinji, 1997)
Eureka (Aoyama Shinji, 2000) (being imported from France)
Harmful Insect (Shiota Akihiko, 2001)
Synchronizer (Manda Kunitoshi, 2017)--DCP

If you are affiliated with a venue that might be interested in showing one or more of these films, please let me know and we can discuss splitting shipping costs and such.

Thanks,
Will Carroll
PhD Candidate
The University of Chicago
Department of Cinema & Media Studies/
Department of East Asian Languages & Civilizations
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