[KineJapan] Importing Prints from Japan for Film Series

William Carroll williamjamescarroll at gmail.com
Wed Jan 23 16:09:08 EST 2019


Hi Alex,

Thanks! We do have a guest lined up for an event in late April, but the
exact nature of the event hasn't been worked out yet (whether it's just a
talk or a larger workshop/symposium). It will probably mostly depend on how
much of our budget we have left over after getting the films. I'll keep you
informed, though.

Best,
Will

On Wed, Jan 23, 2019 at 2:53 PM Zahlten, Alexander <azahlten at fas.harvard.edu>
wrote:

> Hi Will,
>
>
>
> Thanks for sending this- it’s a terrific lineup! Congratulations on
> putting this together.
>
>
>
> Are you planning any events (workshops / symposia /etc.) to accompany it?
> Hasumi’s influence (and, in some ways, surprising lack of influence) is a
> really interesting topic.
>
>
>
> Best,
>
> Alex
>
>
>
> -------------------------------
>
> Alexander Zahlten
>
> Associate Professor
>
> Department of East Asian Languages and Civilizations
>
> Director of Graduate Studies – Regional Studies East Asia Program
>
> Harvard University
>
>
>
> *From: *KineJapan <kinejapan-bounces at mailman.yale.edu> on behalf of
> William Carroll <williamjamescarroll at gmail.com>
> *Reply-To: *Japanese Cinema Discussion Forum <KineJapan at mailman.yale.edu>
> *Date: *Wednesday, January 23, 2019 at 15:50
> *To: *"KineJapan at mailman.yale.edu" <KineJapan at mailman.yale.edu>
> *Subject: *[KineJapan] Importing Prints from Japan for Film Series
>
>
>
> Hi everyone,
>
>
>
> I'm just writing to let you know that I'm running a film series this
> spring at the University of Chicago. The series highlights filmmakers who
> were formerly students of Hasumi Shigehiko. We're planning to import a
> number of film prints, and I wanted to let everyone know. They aren't all
> confirmed yet, but here are some of the titles we're planning to import:
>
>
>
> *Okaeri* (Shinozaki Makoto, 1996)
>
> *Wild Life* (Aoyama Shinji, 1997)
>
> *Eureka* (Aoyama Shinji, 2000) (being imported from France)
>
> *Harmful Insect* (Shiota Akihiko, 2001)
>
> *Synchronizer* (Manda Kunitoshi, 2017)--DCP
>
>
>
> If you are affiliated with a venue that might be interested in showing one
> or more of these films, please let me know and we can discuss splitting
> shipping costs and such.
>
>
>
> Thanks,
>
> Will Carroll
>
> PhD Candidate
>
> The University of Chicago
>
> Department of Cinema & Media Studies/
>
> Department of East Asian Languages & Civilizations
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> KineJapan at mailman.yale.edu
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>
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