[KineJapan] On Framing and Japanese Film Theory

[Gerow Aaron]

Dear Shayne,

Great to hear that you are looking at Japanese film theory. For framing, one place to start is Sugiyama Heiichi, who focuses on framing in his version of realist film theory. This is primarily in his book Eiga hyoronshu from 1941. We published excerpts of that in our Nihon sense eiga ronshu (2018). Naoki Yamamoto’s new book Dialectics without Synthesis also discuss Sugiyama and others at the time.

Aaron Gerow

> 2020/10/15 午前3:49、shayne bowden via KineJapan <kinejapan at mailman.yale.edu>のメール:
> 
> Hi
> 
> I was hoping that you might have some leads on cinematic framing and how it has been interpreted by Japanese film theorists and historians.  Does anyone know of any instances where this has been discussed within film studies in Japan?
> 
> Thanks
> 
> Shayne Bowden
> 
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Aaron Gerow
Professor
Film and Media Studies Program/East Asian Languages and Literatures
Chair, East Asian Languages and Literatures
Yale University
143 Elm Street, Room 210
PO Box 208324
New Haven, CT 06520-8324
USA
Phone: 1-203-432-7082
Fax: 1-203-432-6729
e-mail: aaron.gerow at yale.edu <mailto:aaron.gerow at yale.edu>
website: www.aarongerow.com


















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