[KineJapan] On Framing and Japanese Film Theory

[shayne bowden]

Thanks very much for the reply.  I’ll look for an online copy of the Sugiyama text via CiNii / WebCat. 日本戦前映画論集 too looks like an essential read.  





Shayne Bowden BA, MA (USYD)
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director of deterra 
www.deterra8.com
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PhD Candidate
School of Languages and Cultures
Faculty of Arts and Social Sciences 
The University of Sydney 
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shayne bowden blog
shaynebowden8.blogspot.com


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> Today's Topics:
> 
>   1. On Framing and Japanese Film Theory (shayne bowden)
>   2. Re: On Framing and Japanese Film Theory (Gerow Aaron)
>   3. sometime, Paris (Roger Macy)
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> ----------------------------------------------------------------------
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> Message: 1
> Date: Thu, 15 Oct 2020 16:49:00 +0900
> From: shayne bowden <swb8 at gol.com>
> To: kinejapan at mailman.yale.edu
> Subject: [KineJapan] On Framing and Japanese Film Theory
> Message-ID: <D1FF1A66-3E75-4150-8661-F763B5035D08 at gol.com>
> Content-Type: text/plain;	charset=us-ascii
> 
> Hi
> 
> I was hoping that you might have some leads on cinematic framing and how it has been interpreted by Japanese film theorists and historians.  Does anyone know of any instances where this has been discussed within film studies in Japan?
> 
> Thanks
> 
> Shayne Bowden
> 
> 
> 
> ------------------------------
> 
> Message: 2
> Date: Thu, 15 Oct 2020 09:44:39 -0400
> From: Gerow Aaron <aaron.gerow at yale.edu>
> To: Japanese Cinema Discussion Forum <kinejapan at mailman.yale.edu>
> Subject: Re: [KineJapan] On Framing and Japanese Film Theory
> Message-ID: <C1C7D81D-AF12-4EE6-9326-CD26561FD5AF at yale.edu>
> Content-Type: text/plain; charset="utf-8"
> 
> Dear Shayne,
> 
> Great to hear that you are looking at Japanese film theory. For framing, one place to start is Sugiyama Heiichi, who focuses on framing in his version of realist film theory. This is primarily in his book Eiga hyoronshu from 1941. We published excerpts of that in our Nihon sense eiga ronshu (2018). Naoki Yamamoto?s new book Dialectics without Synthesis also discuss Sugiyama and others at the time.
> 
> Aaron Gerow
> 
>> 2020/10/15 ??3:49?shayne bowden via KineJapan <kinejapan at mailman.yale.edu>????:
>> 
>> Hi
>> 
>> I was hoping that you might have some leads on cinematic framing and how it has been interpreted by Japanese film theorists and historians.  Does anyone know of any instances where this has been discussed within film studies in Japan?
>> 
>> Thanks
>> 
>> Shayne Bowden
>> 
>> _______________________________________________
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>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
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> 
> 
> Aaron Gerow
> Professor
> Film and Media Studies Program/East Asian Languages and Literatures
> Chair, East Asian Languages and Literatures
> Yale University
> 143 Elm Street, Room 210
> PO Box 208324
> New Haven, CT 06520-8324
> USA
> Phone: 1-203-432-7082
> Fax: 1-203-432-6729
> e-mail: aaron.gerow at yale.edu <mailto:aaron.gerow at yale.edu>
> website: www.aarongerow.com
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> ------------------------------
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> Message: 3
> Date: Fri, 16 Oct 2020 14:05:45 +0000 (UTC)
> From: Roger Macy <macyroger at yahoo.co.uk>
> To: KineJapan discussion forum <kinejapan at mailman.yale.edu>
> Subject: [KineJapan] sometime, Paris
> Message-ID: <1156957503.361091.1602857145601 at mail.yahoo.com>
> Content-Type: text/plain; charset="utf-8"
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> 
> Dear All,
> 
> I have heard from the curator, Wafa Ghermani, that the Shimizuretrospective in Paris has now beenpostponed for a second time.
> 
> uncheerfully,
> 
> Roger
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> End of KineJapan Digest, Vol 29, Issue 5
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