[KineJapan] Japanese films at Close-up, London
sonali joshi
sonali at day-for-night.org
Mon Nov 8 07:40:45 EST 2021
Hi,
You beat me to it, Roger! There are two programmes at Close-Up this coming weekend, one curated by me and the other by Sunil Chauhan.
The programme I've curated was intended to launch last year as a 3 year project, but was inevitably postponed until the BFI Japan season was relaunched this autumn. This touring programme is entitled "Urban, Natural, Human" and explores art, architecture, design and landscape in Japan, framed through contexts of war, natural and man-made catastrophes, regeneration, renewal and creativity.
This programme will be shown in London (Close-Up) and Newcastle (Star and Shadow) this weekend, Manchester (HOME) and Glasgow (Centre for Contemporary Arts) in December and further screenings in the UK expected in the New Year.
Upcoming screenings this week:
London | Close-Up Cinema
Fri 12 Nov, 8.15pm - Book-Paper-Scissors
Sat 13 Nov, 8.15pm - Ascent
Sun 14 Nov, 8.15pm - The Inland Sea (+ short The Naoshima Plan, courtesy of Sambuichi Architects/Setouchi Triennale 2019)
Info/Tickets: www.closeupfilmcentre.com/film_programmes/2021/urban-natural-human/
I'll be introducing the first two screenings and Sunday's screening will be introduced by Jasper Sharp.
Newcastle | Star and Shadow Cinema
Sun 14 Nov, 7.30pm - Tenzo (+ two shorts from 3.11 A Sense of Home)
Info/Tickets: www.starandshadow.org.uk/programme/event/tenzo-shorts,5608/
Full details at www.day-for-night.org/japan-2021.
Please feel free to share amongst contacts in the UK.
best wishes,
Sonali
____________________________________________
*Sonali Joshi*
*Founder & Director, Day for Night*
*- film exhibition I distribution I access: subtitles & audio-description -*
*www.day-for-night.org*
On Mon, 8 Nov 2021, at 12:11, Roger Macy via KineJapan wrote:
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> Dear KineJapaners,
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> I assume that anyone in the UK knows of the BFI’s Japan season, running until the end of the year, but just in case it’s not on everyone’s radar, I thought I’d mention the seasons running at ‘Close-up’ on Hamaguchi, documentaries and experimental films. I’d particularly recommend ‘Book, Paper, Scissors’ by HIROSE Nanako, this Friday for anyone interested in graphic arts, books or just a fine documentaries. I caught it at Nippon Connection.
> CLOSE-UP | Book-Paper-Scissors <https://www.closeupfilmcentre.com/film_programmes/2021/urban-natural-human/book-paper-scissors>
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> CLOSE-UP | Book-Paper-Scissors
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> In an ever-growing digital world, Nobuyoshi Kikuchi, who over the course of his career has painstakingly designe...
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> Roger
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> ----- Forwarded message -----
> *From:* Close-up Film Centre <info at closeupfilmcentre.com>
> *To:* Roger Macy <macyroger at yahoo.co.uk>
> *Sent:* Friday, 29 October 2021, 12:58:10 BST
> *Subject:* RE: November Highlights
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> Hi Roger,
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> Thanks for getting in touch. These programmes were curated in collaboration with some excellent independent programmers.
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> The Ryûsuke Hamaguchi season was programmed by Ross McDonnell, the ‘Cinema of The Self’ strand by Sunil Chauhan, and the ‘Urban, Natural, Human’ by Sonali Josh.
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> Best regards,
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> Jake
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> --
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> CLOSE-UP
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> *From:* Roger Macy <macyroger at yahoo.co.uk>
> *Sent:* 28 October 2021 21:26
> *To:* Close-up Film Centre <info at closeupfilmcentre.com>
> *Subject:* Re: November Highlights
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> Very interesting and welcome.
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> May I ask who has curated these programmes, please ?
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> Kind regards,
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> Roger Macy
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> https://www.sensesofcinema.com/2021/festival-reports/35th-cinema-ritrovato-inhabits-bologna-with-joy-and-pride/
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> On Thursday, 28 October 2021, 11:27:11 BST, CLOSE-UP <info at closeupfilmcentre.com> wrote:
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> Close-Up on Ryûsuke Hamaguchi, Exploring Japan on Screen, Personal Documentary in Japan, Edge of Frame: After Images, Three Films by Edward Yang
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> View this email in your browser <https://mailchi.mp/closeupfilmcentre/october-1437581?e=4e6a6d9166>
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> *19 November - 5 December 2021*
> *Close-Up on Ryûsuke Hamaguchi*
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> With a pair of new features premiering to immediate international acclaim – anthology *Wheel of Fortune and Fantasy* awarded the Silver Bear at February’s Berlinale and the epic *Drive My Car* subsequently winning the Prix du Scénario and FIPRESCI prizes at July’s Cannes Film Festival – writer-director Ryûsuke Hamaguchi has at last been rightly recognised as one of the most talented, fascinating filmmakers of his generation. Curated by Ross McDonnell, this programme is the first UK retrospective of this prolific filmmaker, and a rare opportunity to explore a uniquely-thrilling body of work. read more <https://closeupfilmcentre.us1.list-manage.com/track/click?u=57e249d09500d0a296cbd7103&id=029f6724e8&e=4e6a6d9166>
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> *12 - 14 November 2021*
> *Urban, Natural, Human: Exploring Japan on Screen*
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> Urban, Natural, Human is a touring programme curated by Day for Night, exploring art, architecture and design through the moving image. With its core themes of the built and natural environments in contemporary Japan, the programme will reflect on regeneration, recovery and creativity, not least in the year of the 10th anniversary of the Tohuku earthquake, tsunami and Fukushima nuclear disaster. The programme is framed through historical, current and future contexts – the impact of war, post-war regeneration, natural and man-made catastrophes, reconstruction and renewal, urban and rural development, the urban experience and the future of cities, while exploring Japanese culture, history and society more broadly.* *read more <https://closeupfilmcentre.us1.list-manage.com/track/click?u=57e249d09500d0a296cbd7103&id=82d90e20ee&e=4e6a6d9166>
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> *13 - 14 November 2021*
> *Cinema of the Self: Personal Documentary in Japan*
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> This programme places its focus on one of the most disarming strands of Japan’s non-fiction cinema. Variously termed self-documentary, personal documentary or “I-film” (a cousin to the I-novel in Japanese literature), this form of auto-documentary-making began when Japanese filmmakers in the early 70s began to make films that pointed the camera either at themselves, or those closest to them. Distributing and exhibiting the results outside of commercial circuits, the films could take the form of home videos, diaries, portraits, confessions, or a combination thereof. Curated by Sunil Chauhan, this programme brings together some of the best of the sub-genre to come from Japan in the last 25 years.* *read more <https://closeupfilmcentre.us1.list-manage.com/track/click?u=57e249d09500d0a296cbd7103&id=342a3057b8&e=4e6a6d9166>
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> *27 November 2021*
> *Edge of Frame: After Images*
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> It is 10 years since the artist, filmmaker and animator Robert Breer died and his impact on experimental animation practice is greater than ever. After Images presents a range of work by contemporary animation artists who have built on Breer’s myriad formal and conceptual innovations, taking his lead into unexpected new directions. Breer’s work collides radical discontinuity with cartooning and found materials, formally daring one moment, daftly humorous the next. This selection brings together a diverse range of work that connects to Breer’s in different ways, but is by no means a definitive survey, and indeed not all the films were made consciously or directly under his influence. Rather it reveals interesting connections between a range of new work and Breer’s, with the aim of stimulating ideas and questions about his legacy from a number of different perspectives.* *read more <https://closeupfilmcentre.us1.list-manage.com/track/click?u=57e249d09500d0a296cbd7103&id=96d7b4cbfa&e=4e6a6d9166>
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> *5 - 7 November 2021*
> *Three Films by Edward Yang*
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> Continuing our ongoing Essential Cinema strand, we present three films from across Edward Yang’s career, including his urgent and enigmatic portrait of the clash of histories, sensibilities and cultures in modern Taiwan, *Taipei Story* – alongside the sprawling works that are his defining and lasting legacy: *Yi Yi* and the intimate but monumental *A Brighter Summer Day*.* *read more <https://closeupfilmcentre.us1.list-manage.com/track/click?u=57e249d09500d0a296cbd7103&id=d175e0cb8b&e=4e6a6d9166>
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