[KineJapan] Housing in Tokio

Aaron Gerow aaron.gerow at yale.edu
Wed May 11 14:52:18 EDT 2022


You can check out Airbnb, but the common option in Tokyo would be weekly mansions, which would give you clean, furnished place with a kitchen for less than a hotel. They can differ in price depending on the location and accommodations, but there are some near central Tokyo that would cost about 90,000 to 100,000 yen if you had it for a month. We once stayed in a weekly mansion in Sangenjaya—which is convenient to Yebisu—when our house on the same line was unavailable. It did not cost that much.

As for entering Japan, foreigners can now enter Japan, but only those with visas. It seems they will experiment with allowing tourists in next month, starting with those on group tours. 

Aaron

> 5/11/22 午後1:32、Lorenzo Javier Torres Hortelano via KineJapan <kinejapan at mailman.yale.edu>のメール:
> 
> Dear all,
>  
> Next year, from March 14, I’ll stay in Tokio until May 12 for a research grant from JF. So, please, I need help for the housing. The research will be mainly in Tokyo Photographic Art Museum (TOP), Yebisu Garden Place, 1-13-3 Mita Meguro-ku. I guess it is an expensive area, so maybe I need to live in any other close areas… Most of the time I’ll be alone, so an small place is OK (as naïve as it can sound talking about Tokio 😉
>  
> Any help is welcome! Fell free to write me directly if you don’t want to disturb the list.
>  
> By the way, they tell me that from some weeks ago Tokio airports are already opened for foreign visitors.
>  
> Thanks in advance and Best regards, 
>  
>  
>  
> <BD7469BA85A347A28B2527DC6B68C7A6[8972407].jpg>
> Lorenzo J. Torres Hortelano 
> Vicedecano de Investigación y Relaciones Internacionales
> Vice-Dean of Research and International Relations
> Profesor Titular/Professor
> Universidad Rey Juan Carlos
> Facultad de Ciencias de la Comunicación 
> Departamento de  Comunicación Audiovisual y Publicidad
> Edificio de Gestión - Decanato
> Camino del Molino s/n, 28943 Fuenlabrada 
> +34 91 488 73 11
> lorenzojavier.torres.hortelano at urjc.es <mailto:lorenzojavier.torres.hortelano at urjc.es>
> gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano <https://gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano>
> researchgate.net/profile/Lorenzo_Torres <https://www.researchgate.net/profile/Lorenzo_Torres>
> Lorenzo Torres Academia.edu <https://urjc.academia.edu/ljtorres>
> IP proyecto Europa Creativa  http://theylive.eu/ <http://theylive.eu/>
>  
>  
> De: Michael Raine via KineJapan <mailto:kinejapan at mailman.yale.edu>
> Enviado: lunes, 9 de mayo de 2022 20:41
> Para: Japanese Cinema Discussion Forum <mailto:kinejapan at mailman.yale.edu>
> CC: Michael Raine <mailto:raine.michael.j at gmail.com>
> Asunto: Re: [KineJapan] Special Program on Okinawa films
>  
> This looks like a terrific series on cinematic visions of Okinawa. And that's a terrific deal to see three hard-to-see films online!
>  
> If anyone is interested in reading more about the films before or after watching them:
>  
> Alex published a great essay on Asia is One and NDU in the Journal of Japanese and Korean Cinema 10.2 (2018)
>  
> We also published two "special sections" on Okinawan Images last year (volume 13.1-2, 2021), co-edited by Ran Ma and Kosuke Fujiki. I'll paste the table of contents here:
>  
> Journal of Japanese and Korean Cinema 13.1:
> Special section: In/visibility in Post-war Okinawan Images 1
> Introduction
> In/visibility in Post-war Okinawan Images 1
> Ran Ma and Kosuke Fujiki
>  
> Article
> Reminiscences of a Journey to Okinawa: Landscape Film as Essay, and Takamine Gō’s Okinawan Dream Show (1974)
> Ran Ma
>  
> Article
> Landscape and the Crisis of Representation in Nakae Yūji’s Panari nite (1986)
> Kosuke Fujiki
>  
> Translation
> Continuing as an ‘Open Incompleteness’: Motoshinkakarannū and Uncanny Okinawa
> Nakazato Isao (Translated by Kosuke Fujiki)
>  
> Journal of Japanese and Korean Cinema 13. 2:
> Special section: In/visibility in Post-war Okinawan Images 2
> Introduction
> In/visibility in Post-war Okinawan Images 2
> Ran Ma and Kosuke Fujiki
>  
> Article
> The Living Sea: Okinawa, 1958, and the Postwar Media Dispositif
> Takuya Tsunoda
>  
> Article
> Visualizing (Im)mobility in Post-Reversion Okinawa: A Comparative Study of NDU’s Asia is One (1973) and Chinen Seishin’s The Human Pavilion (1976)
> Patrick Chimenti
>  
> Interview
> Re-emerging voices and re-imagined landscapes: an interview with Chikako Yamashiro
> Ran Ma, Kosuke Fujiki & translated by Christopher M. Cabrera
>  
> The journal is available at all good libraries -- if it isn't, please request it! We also welcome article submissions and proposals for special sections in upcoming issues.
>  
> Michael
>  
> Michael Raine, Department of English and Writing Studies
> Western University, Canada
> co-editor, Journal of Japanese and Korean Cinema
> co-editor, The Culture of the Sound Image in Prewar Japan (Amsterdam UP, 2020)
> co-editor, Developments in the Japanese Documentary Mode (MDPI, 2020)
>  
>  
> On Tue, Apr 26, 2022 at 11:28 AM Hilson Reidpath via KineJapan <kinejapan at mailman.yale.edu <mailto:kinejapan at mailman.yale.edu>> wrote:
> Thanks for sending this out Alex. 
> 
> I meant to share it as well. I really recommend to anyone remotely interested in post-war/occupation area Okinawa to check out Motoshinkakarannu at the very least. My understanding is it is very difficult to see. It was also filmed towards the tail-end of the US occupation, which was a tumultuous time for a number of reasons, but is of particular note (and controversy) because of its depiction of the extant yakuza gangs at the time. 
> 
> Best,
> 
> Hilson Reidpath
>  
> On Sat, Apr 23, 2022 at 3:10 AM Zahlten, Alexander via KineJapan <kinejapan at mailman.yale.edu <mailto:kinejapan at mailman.yale.edu>> wrote:
> Hello All,
> Apologies, I forgot to edit the subject line when I just sent out the email. Sorry about that! See the original message below.
> Best,
> Alex
>  
> Hi Everyone,
>  
> This is just to point you to an interesting special of films on Okinawa taking place at the Japan Society New York due to the efforts of Alexander Fee. It features a really nice span of types of films, from a Nakajima Sadao-directed Yakuza film to two usually very difficult to access films by the legendary documentary film collective NDU. Here is the link:
>  
>  https://www.japansociety.org/arts-and-culture/films/okinawa-cinematic-reflections <https://urldefense.proofpoint.com/v2/url?u=https-3A__nam11.safelinks.protection.outlook.com_-3Furl-3Dhttps-253A-252F-252Furldefense.proofpoint.com-252Fv2-252Furl-253Fu-253Dhttps-2D3A-5F-5Fwww.japansociety.org-5Farts-2D2Dand-2D2Dculture-5Ffilms-5Fokinawa-2D2Dcinematic-2D2Dreflections-2526d-253DDwMGaQ-2526c-253DWO-2DRGvefibhHBZq3fL85hQ-2526r-253D-5F-5FROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68-2526m-253DJzxkb94x7hSI11G1-2DorapqU5kXAOOYgVrpTAboXiVNte35HNYC3Ao7r93nbN2Skw-2526s-253DkFhI5vBBoODw1ibZ4p-5FTcxHKlx7MqGdnfhfFgP8V2Vk-2526e-253D-26data-3D05-257C01-257CAFee-2540japansociety.org-257Ce12310fad91744e6e2ed08da22658d64-257Ccc53eb7cef7740a39c5e5649d505a427-257C0-257C0-257C637860116816235264-257CUnknown-257CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0-253D-257C3000-257C-257C-257C-26sdata-3DUCcs-252BP7pnpwENob-252FU1Zx7uJXcLH-252FP7XHNOclKg2ShJk-253D-26reserved-3D0&d=DwMGaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=fXin2X1CFLiRfownoKEctVLxVa6Cq9Ynz32TKWlssv8CA50BNmfd5iTlxIYmlxCc&s=yTj0Y_VeNM7JnQ8FMt3cMuip47EoA-IMVvNsFIegC_8&e=>
>  
> Some films are being streamed as well, though the majority is for in-person screenings.
>  
> All best,
> Alex
>  
> -------------------------------
> Alexander Zahlten
> Professor of East Asian Languages and Civilizations
> Chair, Regional Studies East Asia (RSEA) Program
> Harvard University
> (He / him / his)
>  
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> 
> 
> -- 
> Hilson Reidpath
> PhD Student in Japanese
> East Asian Language and Literature
> University of Hawai'i at Mānoa
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