[KineJapan] Housing in Tokio

Wed May 11 15:29:53 EDT 2022

Unless you are Kanye West in which case you have no problem entering Japan.

2022年5月11日(水) 午後2:52 Aaron Gerow via KineJapan <kinejapan at mailman.yale.edu>:

> You can check out Airbnb, but the common option in Tokyo would be weekly
> mansions, which would give you clean, furnished place with a kitchen for
> less than a hotel. They can differ in price depending on the location and
> accommodations, but there are some near central Tokyo that would cost about
> 90,000 to 100,000 yen if you had it for a month. We once stayed in a weekly
> mansion in Sangenjaya—which is convenient to Yebisu—when our house on the
> same line was unavailable. It did not cost that much.
>
> As for entering Japan, foreigners can now enter Japan, but only those with
> visas. It seems they will experiment with allowing tourists in next month,
> starting with those on group tours.
>
> Aaron
>
> 5/11/22 午後1:32、Lorenzo Javier Torres Hortelano via KineJapan <
> kinejapan at mailman.yale.edu>のメール:
>
> Dear all,
>
> Next year, from March 14, I’ll stay in Tokio until May 12 for a research
> grant from JF. So, please, I need help for the housing. The research will
> be mainly in Tokyo Photographic Art Museum (TOP), Yebisu Garden Place,
> 1-13-3 Mita Meguro-ku. I guess it is an expensive area, so maybe I need to
> live in any other close areas… Most of the time I’ll be alone, so an small
> place is OK (as naïve as it can sound talking about Tokio 😉
>
> Any help is welcome! Fell free to write me directly if you don’t want to
> disturb the list.
>
> By the way, they tell me that from some weeks ago Tokio airports are
> already opened for foreign visitors.
>
> Thanks in advance and Best regards,
>
>
>
> <BD7469BA85A347A28B2527DC6B68C7A6[8972407].jpg>
> *Lorenzo J. Torres Hortelano *
> *Vicedecano de Investigación y Relaciones Internacionales*
> *Vice-Dean of Research and International Relations*
> Profesor Titular/Professor
> Universidad Rey Juan Carlos
> Facultad de Ciencias de la Comunicación
> Departamento de  Comunicación Audiovisual y Publicidad
> Edificio de Gestión - Decanato
> Camino del Molino s/n, 28943 Fuenlabrada
> +34 91 488 73 11
> lorenzojavier.torres.hortelano at urjc.es
> gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano
> researchgate.net/profile/Lorenzo_Torres
> <https://www.researchgate.net/profile/Lorenzo_Torres>
> Lorenzo Torres Academia.edu <https://urjc.academia.edu/ljtorres>
> IP proyecto Europa Creativa  http://theylive.eu/
>
>
> *De: *Michael Raine via KineJapan <kinejapan at mailman.yale.edu>
> *Enviado: *lunes, 9 de mayo de 2022 20:41
> *Para: *Japanese Cinema Discussion Forum <kinejapan at mailman.yale.edu>
> *CC: *Michael Raine <raine.michael.j at gmail.com>
> *Asunto: *Re: [KineJapan] Special Program on Okinawa films
>
> This looks like a terrific series on cinematic visions of Okinawa. And
> that's a terrific deal to see three hard-to-see films online!
>
> If anyone is interested in reading more about the films before or after
> watching them:
>
> Alex published a great essay on *Asia is One* and NDU in the *Journal of
> Japanese and Korean Cinema* 10.2 (2018)
>
> We also published two "special sections" on Okinawan Images last year
> (volume 13.1-2, 2021), co-edited by Ran Ma and Kosuke Fujiki. I'll paste
> the table of contents here:
>
> *Journal of Japanese and Korean Cinema** 13.1:*
> *Special section: In/visibility in Post-war Okinawan Images 1*
> Introduction
> *In/visibility in Post-war Okinawan Images 1*
> Ran Ma and Kosuke Fujiki
>
> Article
> *Reminiscences of a Journey to Okinawa: Landscape Film as Essay, and
> Takamine Gō’s Okinawan Dream Show (1974)*
> Ran Ma
>
> Article
> *Landscape and the Crisis of Representation in Nakae Y**ū**ji’s Panari
> nite (1986)*
> Kosuke Fujiki
>
> Translation
> *Continuing as an ‘Open Incompleteness’: Motoshinkakarannū and Uncanny
> Okinawa*
> Nakazato Isao (Translated by Kosuke Fujiki)
>
> *Journal of Japanese and Korean Cinema** 13. 2:*
> *Special section: In/visibility in Post-war Okinawan Images 2*
> Introduction
> *In/visibility in Post-war Okinawan Images 2*
> Ran Ma and Kosuke Fujiki
>
> Article
> *The Living Sea: Okinawa, 1958, and the Postwar Media Dispositif*
> Takuya Tsunoda
>
> Article
> *Visualizing (Im)mobility in Post-Reversion Okinawa: A Comparative Study
> of NDU’s Asia is One (1973) and Chinen Seishin’s The Human Pavilion (1976)*
> Patrick Chimenti
>
> Interview
> *Re-emerging voices and re-imagined landscapes: an interview with Chikako
> Yamashiro*
> Ran Ma, Kosuke Fujiki & translated by Christopher M. Cabrera
>
> The journal is available at all good libraries -- if it isn't, please
> request it! We also welcome article submissions and proposals for special
> sections in upcoming issues.
>
> Michael
>
> Michael Raine, Department of English and Writing Studies
> Western University, Canada
> co-editor, Journal of Japanese and Korean Cinema
> co-editor, The Culture of the Sound Image in Prewar Japan (Amsterdam UP,
> 2020)
> co-editor, Developments in the Japanese Documentary Mode (MDPI, 2020)
>
>
> On Tue, Apr 26, 2022 at 11:28 AM Hilson Reidpath via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
> Thanks for sending this out Alex.
>
> I meant to share it as well. I really recommend to anyone remotely
> interested in post-war/occupation area Okinawa to check out
> *Motoshinkakarannu *at the very least. My understanding is it is *very* difficult
> to see. It was also filmed towards the tail-end of the US occupation, which
> was a tumultuous time for a number of reasons, but is of particular note
> (and controversy) because of its depiction of the extant yakuza gangs at
> the time.
>
> Best,
> Hilson Reidpath
>
> On Sat, Apr 23, 2022 at 3:10 AM Zahlten, Alexander via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
> Hello All,
> Apologies, I forgot to edit the subject line when I just sent out the
> email. Sorry about that! See the original message below.
> Best,
> Alex
>
> Hi Everyone,
>
> This is just to point you to an interesting special of films on Okinawa
> taking place at the Japan Society New York due to the efforts of Alexander
> Fee. It features a really nice span of types of films, from a Nakajima
> Sadao-directed Yakuza film to two usually very difficult to access films by
> the legendary documentary film collective NDU. Here is the link:
>
>
> https://www.japansociety.org/arts-and-culture/films/okinawa-cinematic-reflections
> <https://urldefense.proofpoint.com/v2/url?u=https-3A__nam11.safelinks.protection.outlook.com_-3Furl-3Dhttps-253A-252F-252Furldefense.proofpoint.com-252Fv2-252Furl-253Fu-253Dhttps-2D3A-5F-5Fwww.japansociety.org-5Farts-2D2Dand-2D2Dculture-5Ffilms-5Fokinawa-2D2Dcinematic-2D2Dreflections-2526d-253DDwMGaQ-2526c-253DWO-2DRGvefibhHBZq3fL85hQ-2526r-253D-5F-5FROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68-2526m-253DJzxkb94x7hSI11G1-2DorapqU5kXAOOYgVrpTAboXiVNte35HNYC3Ao7r93nbN2Skw-2526s-253DkFhI5vBBoODw1ibZ4p-5FTcxHKlx7MqGdnfhfFgP8V2Vk-2526e-253D-26data-3D05-257C01-257CAFee-2540japansociety.org-257Ce12310fad91744e6e2ed08da22658d64-257Ccc53eb7cef7740a39c5e5649d505a427-257C0-257C0-257C637860116816235264-257CUnknown-257CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0-253D-257C3000-257C-257C-257C-26sdata-3DUCcs-252BP7pnpwENob-252FU1Zx7uJXcLH-252FP7XHNOclKg2ShJk-253D-26reserved-3D0&d=DwMGaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=fXin2X1CFLiRfownoKEctVLxVa6Cq9Ynz32TKWlssv8CA50BNmfd5iTlxIYmlxCc&s=yTj0Y_VeNM7JnQ8FMt3cMuip47EoA-IMVvNsFIegC_8&e=>
>
> Some films are being streamed as well, though the majority is for
> in-person screenings.
>
> All best,
> Alex
>
> -------------------------------
> Alexander Zahlten
> Professor of East Asian Languages and Civilizations
> Chair, Regional Studies East Asia (RSEA) Program
> Harvard University
> (He / him / his)
>
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>
>
> --
> Hilson Reidpath
> PhD Student in Japanese
> East Asian Language and Literature
> University of Hawai'i at Mānoa
>
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