[KineJapan] Japanese Experimental Film Event

[Zahlten, Alexander]

Dear All,

Here is the invitation to the CCJ event, featuring Barbara London of MoMA NY, artist Nakajima Ko, Ann Adachi-Tasch, and myself.

All best,
Alex

[cid:image001.png at 01D9266F.E4933BE0]
January 12
CCJ Viewing Library
Launch Event
With Ko Nakajima, Barbara London, Alex Zahlten and Fusako Matsu
[cid:image002.png at 01D9266F.E4933BE0]
From Ko Nakajima, My Life, 1971-2014.
VIEW EVENT<https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3De2cd7d328a-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=EjIR9p-79SjjYBV_UjTCEh6ndg392cYFnwBSyzoYG6A&e=>

EST / 1/12/23, 7:00 PM
JST / 10/13/23, 9:00 AM
FREE WITH REGISTRATION<https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3De5b878d8ef-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=BjDliQIZYCE_JeyJxNB52uc7923NE2b6M6tS05Rui2Y&e=>


On January 12 in the US, and January 13 in Japan, guests Ko Nakajima, Barbara London, Alexander Zahlten, and Fusako Matsu will help us celebrate the launch of CCJ’s Viewing Library<https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D6337a50828-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=VXx_FZOebtlXd1hOVXKTFRVWTqCPG3jwEj9jSDJucKQ&e=>’s beta testing version with a discussion around Nakajima’s works with screenings.

In addition, Nakajima is offering a free screening of his key work, My Life, for the month of January!
REGISTER NOW<https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D895d9d69eb-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=3bjZ5_9EgS5eR59C-RWtVDrmerj-YtuagEaKczphbjs&e=>
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The live event accompanies our four-month focus on the works of Nakajima in partnership with Keio University Art Center. <https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D23550fb550-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=gU6LWkLpzvHnol6dMZNfggoQ5ikazots3avohxDsxVU&e=>

Discover January’s program here! <https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3Dee4e470ead-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=pCL_ZkRoukQanHAWL18mE3GaeoIa9jrIjGLPf5GeYtY&e=>
What is the Viewing Library?
The CCJ Viewing Library is our latest distribution project at CCJ: a web-based subscription service offered to institutions and researchers. Its goal is to make a range of Japanese experimental works accessible on-demand to an international community of educators, students, and interested individuals. Building on the relational foundation CCJ has cultivated with various artists, we are working together to: 1) open access to their works, and 2) generate income for the artists. The beta version will be a testing version for CCJ to gather feedback from institutional subscribers and individual users, so that we can build a better viewing platform in 2023.

The Library will include works by Kohei Ando, Nobuhiro Aihara, Keiichi Tanaami, Ko Nakajima, Keiji Uematsu, Morihiro Wada, Arakawa & Madeline Gins, Morihiro Wada, Masanori Oe, Tsuneo Nakai, Norio Imai and Shuzo Azuchi Gulliver: a broad introduction to experimental moving image in 1960s-70s Japan, spanning video, film and animation.


Offers

Institutional Subscription - Semi-Annual / $1,500
This semi-annual (6 months) subscription service offers access for the subscribing institution’s authorized users (students, faculty, & staff) to view the works in the CCJ Viewing Library for class and research use. Please inquire with us using the form above for further details.

Thematic Packages - 3-month / $800 per package
Thematic packages will be made around the topics of experimental film, video art, visual artists’ works, and expanded cinema. Please inquire with us using the form above for further details.

  *   Experimental Films Package:
Kohei Ando, Oh My Mother, 1969, 16mm, 10 min
Kohei Ando, Like a Train Passing, 1978, 16mm, 3 min
Masanori Oe, Head Game, 1967, 10min, film transferred to video
Masanori Oe, Salome’s Children, 1968, 7min, film transferred to video
Tsuneo Nakai, Paludes / パリュウド | 1968
Tsuneo Nakai, Alchemy / 錬金術 | 1971
Ko Nakajima, Anapoko / 穴ポコ｜1963, 7 min, 16mm film, color, sound
Ko Nakajima, Seizoki / 精造機 ｜1964, 4 min, 16mm film, color, sound
Nobuhiro Aihara, The Extinction of Landscape / 風景の死滅｜ 1971, 8mm, color, 14:40 min. ©️Nobuhiro Aihara
Nobuhiro Aihara, Fairy Flower / 逢仙花｜ 1973.4, 16mm, bw, 12:30 min. ©️Nobuhiro Aihara
Nobuhiro Aihara, Shelter / シェルター｜ 1980, 16mm, color, 7:20 min. ©️Nobuhiro Aihara
Nobuhiro Aihara, Stone / ストーン｜1975, 16mm, color, 7:30 min. ©️Nobuhiro Aihara
Keiichi Tanaami, Human Events / 人間模様 | 1975, 5 min., 16mm, color. ©️Keiichi Tanaami
Keiichi Tanaami, LOOK AT THE WOOD | 1975, 12 min., 16mm, color. ©️Keiichi Tanaami
Keiichi Tanaami, Yoshi Kei (Another Rainbow City) / 幼視景（もう１つの虹色都市）| 1979, 17:17 min., 16mm, color. ©️Keiichi Tanaami
Arakawa and Madeline Gins, For Example, 1971. Written by Arakawa and Madeline Gins. Directed by Arakawa. Courtesy Reversible Destiny Foundation
  *   Visual Artists’ Experiments: B
Keiji Uematsu, 23.5｜1970, 4:20 min, Single 8mm, color, silent
Keiji Uematsu, Compression—Relation of Matters / 圧・態―構造の関係性｜1971, 14:39 min, 8mm, b&w, sound
Keiji Uematsu, Earth Point Project—Mirror｜1972, 9:40 min, 8mm, color, silent
Keiji Uematsu, Image of Image—Seeing / 映像の映像―見ること｜1973, 15:50 min, video, b&w, sound
Keiji Uematsu, Action, Stone—Nail—String—Light｜1976, 14:30 min, open reel video, color, sound. ©️Keiji Uematsu
Shuzo Azuchi Gulliver, Switch｜1966-67, 20 min, 16mm, silent, b&w
Shuzo Azuchi Gulliver, Watch｜1966-67, 20 min, 16mm, silent, b&w
Shuzo Azuchi Gulliver, Box｜1966-67, 6 min (film portion), 16mm, silent, b&w
Norio Imai, The Braun Tube｜1974, 18:21 min, sound, bw. ©️Norio Imai
Norio Imai, Video Tape Performance—Kyoto / ビデオテープ・パフォーマンス-京都｜1977, 31:51 min, sound, color
Morihiro Wada, The Recognition Construction №Ⅳ: Recognition Construction in Film / フィルムによる認知構造№Ⅳ ｜1975, 16 min, 16mm, color, silent. ©️Morihiro Wada
Morihiro Wada, The Recognition Construction №XIII Variation’85 / 認知構造№XIII 変奏’85 ｜1985, 15:48 min, video, color, sound. ©️Morihiro Wada
Morihiro Wada, The Recognition Construction・Hyojyutsu (Against application or mimesis) / 認知構造・表述｜1975, 20:07 min, video, color, sound. ©️Morihiro Wada
Researcher’s Access - All-Access One-Week Viewing / $100 per week, limited to individuals with clear research purpose (*Members receive a $20 discount)
Individual researchers may apply to receive a one-week viewing access to the collection listed below. Please use the form to tell us your affiliation and purpose of your research.
FIND OUT MORE<https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D131d6f2eb9-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=-p8Fz3A0ysBe-9Pcyi1JZumP-HSyoX40LTQpjFfFUjw&e=>
Members’ Viewing: Ko Nakajima

January - My Life Study
The Rooms in the Photographs—Ko Nakajima’s Rooms (2019)
My Life (1971-2014)
February - Technical Experiments
Animaker, Aniputer, Scanimate experiments
March - Documentary
Rolling Coconuts
Have a Seat (1981)
April - CATV / Video Earth Tokyo works
TBA

Each program will be available for viewing on CCJ’s viewing platform<https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D2798e158b3-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=ay9IpE8bEgd4zNTgRwlT2QsJJfij_S8uO43jxF9FsTg&e=> for CCJ members.
BECOME A MEMBER<https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D0adb584440-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=2ygH5B5aVInz_ZTm7UvZYySqbVJ0CtUIEPLe7qje2LA&e=>
Ko Nakajima began his career in experimental animation with the creation of works such as Seizoki (1964). At his solo exhibition at the Sogetsu Art Center, a space for avant-garde art in 1960s Tokyo, he produced Seizoki by painting directly on the film between screenings. His perennial interest in integrating new technologies, exploring the potential of film, video, and eventually computer animation, joined his desire to explore human intersections with nature, as seen in his Biological Cycle series (1971-); he created the first work in the series, Biological Life (1971-), by copying manipulated film footage onto video, then further manipulating the work with a video synthesizer.

In 1971, Nakajima established Video Earth Tokyo, the pioneering video-art collective. Nakajima used one of the earliest available portable video recorders to document Video Earth Tokyo performance pieces and teach the new technology. Video Earth Tokyo members created works, broadcast works on cable television, and participated in international exhibitions and emergent CG (computer graphics) conferences. In 1982, Nakajima introduced his Aniputer. Aniputer technology allowed wide access to creation of video animation, as this personal portable computer integrated with a video camera, developed in collaboration with Japan Victor Company (JVC), allowed any user to directly manipulate video and images on a screen, creating animations in real time. Nakajima used his expertise manipulating film, photography, and video with computer technology to create what is perhaps his best known work, Mt. Fuji (1984), a ninety-minute rhythmic meditation on nature, spirituality, and perspective.

Nakajima has produced works in France, Canada, New Zealand, and Denmark. Representative works include Biological Cycle series (1971-), My Life series (1976-), Mt. Fuji (1984), and Dolmen (1987). His works are in permanent collections internationally, including in Centre Georges Pompidou (France), The Museum of Modern Art (U.S.), Long Beach Museum of Art Video Archive (U.S.), and the Getty Research Institute Special Collections (U.S.).

Barbara London is a New York-based curator and writer who founded the video-media exhibition and collection programs at The Museum of Modern Art, where she worked between 1973 and 2013. Her current projects include the bookVideo/Art: The First Fifty Years<https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3Daa017453a7-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=hUX8DGwsEalV6DQtoCD1Nn3HRw3ZRTlPgycqn7PLUVQ&e=> (Phaidon: 2020), the podcast series “Barbara London Calling<https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3Dac1cd422ce-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=ha36qbj2S2bB9helqdGbt2OhYHRwnRWj4L6nsVPiHg8&e=>,” and the exhibition “Seeing Sound” (Independent Curators International, 2020-24).

Alexander Zahlten is a Professor of East Asian Languages and Civilizations at Harvard University. His work focuses on popular film and media in Japan and East Asia. Publications include his co-edited volume Media Theory in Japan (Duke University Press, 2017, with Marc Steinberg) and his book The End of Japanese Cinema (Duke University Press, 2017). Recent publications include “Between Two Funerals: Zombie Temporality and Media Ecology in Japan” in positions: asia critique (2021) or “Before Media Mix: The Electric Ecology”, in A Companion to Japanese Cinema (David Desser, ed., 2022).

Graduated from Musashino Art University, Moving Image Division, Fusako Matsuresearches photography and animation. Participated as an artist in VIDEOFORMS, a film festival in France with Ko Nakajima. Matsu leads the archives and research of artists Yõji Kuri and Taku Furukawa. https://matsufusako.tumblr.com/<https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D995e32f94e-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=Tke-PHUk0sRXsoVvQAtcKw7RxLzmF-4DZntYp2bhBJI&e=>

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From: KineJapan <kinejapan-bounces at mailman.yale.edu> on behalf of Zahlten, Alexander via KineJapan <kinejapan at mailman.yale.edu>
Date: Thursday, January 12, 2023 at 10:19
To: Japanese Cinema Discussion Forum <kinejapan at mailman.yale.edu>
Cc: Zahlten, Alexander <azahlten at fas.harvard.edu>
Subject: Re: [KineJapan] Japanese Experimental Film Event
Dear All,

As a follow-up to the below announcement of the online event regarding video artist Ko Nakajima and the launch of CCJ’s new library streaming service (Thursday evening, EST), I am inserting a message from Ann Adachi, the founder of CCJ, about the streaming service. I’ll send out an invitation for the online event in a moment, though since it contains links I’m not sure it will go through. Otherwise you can check the CCJ’s website for this.

All best, and hope to see you at the event later today / tomorrow (depending on where you are in the world)!
Alex

Dear colleagues,

The CCJ team is pleased to announce the beta launch of our Viewing Library program. With an aim to broaden the access to works we have been researching and presenting for students, faculty, and researchers, the Viewing Library includes a collection of works by 12 artists and it is meant to be used in the classroom and for individual research purposes. Please visit here<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.collabjapan.org_ccj-2Dviewing-2Dlibrary&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=UYbOFZmSi7bZeUhSAlkmO1xHdFbOc30XsFQ4vDRjoIoTF1ysM8qCNgQYRjyDp2wt&s=c1ggcEKYAjIoCuxXpQXnCB0Q5dDlUC8L9ikZ5hZP6jU&e=> for more information.  Please note the program is not launched yet (will be on Thursday), and the Viewing Library is not yet viewable.

The current viewing site is very basic and uses an available template that is not quite fit for this program. But with a grant received from the Japan US Friendship Commission, we will be working to revamp the viewing site (where the Viewing Library will be hosted) in 2023. We are looking to add pedagogically friendly tools, and we welcome feedback on how we should improve this site.

To that end, we would like to invite you to try the Viewing Library for free for a month. After your trial, we would like to collect feedback, either via email or we might organize a survey.

And of course, we are also hopeful that you will find the program useful for teaching and consider working with your educational institution to subscribe to the program (a semi-annual subscription gives you access to the entire collection, or a 3-month curated selection is also available).

This invitation is sent to a limited group of colleagues but if you think of someone who might be interested in this program, please let me know and we can extend the offer to them.

If you are interested, please let me know and we will set-up free access!

Please note there is a special online launch event on January 12th EST with Ko Nakajima, Barbara London, Alex Zahlten, and Fusako Matsu. Please register below!

With best wishes,
Ann



Ann Adachi-Tasch, Executive Director
Collaborative Cataloging Japan
ann_adachi at collabjapan.org<mailto:ann_adachi at collabjapan.org>
http://www.collabjapan.org/<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.collabjapan.org_&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=UYbOFZmSi7bZeUhSAlkmO1xHdFbOc30XsFQ4vDRjoIoTF1ysM8qCNgQYRjyDp2wt&s=Qc2JpahJhEILYEGTJYJNWMAwRHfqV4wOzqEtSd9a6Yg&e=>


From: KineJapan <kinejapan-bounces at mailman.yale.edu> on behalf of Zahlten, Alexander via KineJapan <kinejapan at mailman.yale.edu>
Date: Thursday, December 29, 2022 at 10:06
To: Japanese Cinema Discussion Forum <kinejapan at mailman.yale.edu>
Cc: Zahlten, Alexander <azahlten at fas.harvard.edu>
Subject: [KineJapan] Japanese Experimental Film Event
Dear All,

For those interested in experimental cinema from Japan and / or issues of archiving, and in discovering a new platform for accessing amazing works, please do consider attending the launch event for Collaborative Cataloging Japan (CCJ)’s new library streaming service beta.

The online launch event on January 12 will feature screenings and a discussion between artist Ko Nakajima, curator Barbara London (MoMA), archivist Fusako Matsu and myself, moderated by organizer and CCJ founder Ann Adachi-Tasch. You can find information on the event here: https://www.collabjapan.org/events/2023/nakajima-launch-event<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.collabjapan.org_events_2023_nakajima-2Dlaunch-2Devent&d=DwMF-g&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=ECrLZgXI-llOhU9rlju7tuDhz1zmjosMX5Gpe_GUX3N2JTX_FqQ63GzeSpAvRItg&s=7EVsBNj7pHcUlgRDCGc9JJXgTYD5DtdP3tFwnHBixOA&e=>

This is also a great opportunity for university libraries to make films otherwise completely inaccessible available – so do pass this on to your librarians as well.

I wish you a peaceful transition to the new year- all best and take care,
AZ






……………………
Alexander Zahlten
Professor of East Asian Languages and Civilizations
Harvard University
(He / him / his)


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