Somai Shinji
Aaron Gerow
gerow
Wed Sep 12 23:17:47 EDT 2001
There was a lot of rather heated discussion about the tragedies that
occurred in the United States, some of which was bordering on exceeding
the rules of manner that exist on this non-moderated list. Things were
not so bad that I had to step in as co-owner of the list, and I want to
thank members for agreeing to calm down in the end. There are important
things to discuss about the incident, even in relation to Japanese cinema
and media, but perhaps we should wait a few days before doing that.
Unfortunately, in all the discussion, one bit of news that Dick
Stegewerns kindly forwarded was largely ignored: the death of Somai
Shinji. At 53, having just released one film (Kazahana) and preparing
another, Somai was far too young to die. His death was significantly
reported here because of his stature in Japan, a fame that unfortunately
has not spread abroad.
In my mind (and in the minds of many others), Somai was the best and most
influential Japanese director of the 1980s. This is arguable, but not
only did he produce masterpieces like Taifu kurabu, Shonben raida, and
Ohikkoshi, his long shot long take style had, through several variations,
a profound influence on film in the 1990s. Perhaps because his early
work was for Kadokawa and in the genre of idol movies, his films were
mostly not sent abroad, unlike Morita or Itami, who came to represent
Japanese cinema's 1980s for most foreign viewers.
Somai's films were all, in some ways, about death, his magnificent camera
movements themselves gaining energy from the tense feeling that when the
camera stops, death will occur. He was apparently planning an
autobiographical film when he died, to star Takenaka Naoto as Somai.
Takenaka reportedly promised Somai before he died that he will film that
movie. Perhaps, then, Somai's perpetually moving camera has stopped with
his death, but his immense influence will continue in the still-running
cameras of others.
Aaron Gerow
Yokohama National University
KineJapan list owner
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